...Egypt,...Sudanese ...Sudan TV, Sudan Jordan Warms Up to Hamas IBA TV, Israel Floods Kill More People in India Al Jazeera English, Qatar Refugees in Georgia Face Humanitarian Crisis Press TV, Iran ...
30m 0s |
2 months ago
EveryZing
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...Sudan,...Egypt ...Sudanese painters living in exile. In addition to works from Sudanese artists and torture victims, the film also features an original soundtrack by Al-Khafiyeen, a musical ...
2 years ago
iFilm
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...Sudan ...hey came to Egypt with hopes of a better life. Did they find it? From the Adham Center's JRMC490 (documentary production) course, Spring 2008. Directors: Jasmin Bauomy, Mariam Mekiwi, ...
9m 37s |
4 months ago
YouTube
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On a recent visit to the Gray Area Beacon, an art gallery in San Francisco, CNET News.com's Kara Tsuboi caught up with visual artist Aaron Koblin. His "Flight Patterns" has become a worldwide ...
4m 9s |
5 months ago
NEWS.com
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A guerrilla documentary shot illegally in Egypt serves as a back story to the 2006 massacre of Sudanese refugees in Cairo and saw the filmmaker nearly arrested three times during shooting. 'The Art of Flight' tells three distinct stories; that of a refugee from southern Sudan, a human rights activist from northern Sudan, and an American journalist in self-imposed exile. The filmmaker, Davin Hu ... more > A guerrilla documentary shot illegally in Egypt serves as a back story to the 2006 massacre of Sudanese refugees in Cairo and saw the filmmaker nearly arrested three times during shooting. 'The Art of Flight' tells three distinct stories; that of a refugee from southern Sudan, a human rights activist from northern Sudan, and an American journalist in self-imposed exile. The filmmaker, Davin Hutchins, left America for the Middle East after the events of September 11th shook his political beliefs. In Egypt, he begins life as a freelance travel writer. Later, he is drawn in to the plight of Sudanese refugees in Cairo - many from Darfur. He is compelled to write stories of substance after witnessing their abuses first hand. During his investigation, he risks arrest by Egyptian authorities, confronts apathetic American news editors, and presses UNHCR to explain its arbitrary asylum procedures to get their story told. He soon begins to question his own objectivity, debating whether he should report on the refugees or simply help them.