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The City as a linguistic term is a generic name used in various contexts to refer to a particular city. The "City" being referenced may be apparent from context, or it may invariably refer to one particular city in certain English-speaking regions, depending on the variety of English used.
The City (1939) is a pioneering short documentary film which attempts to contrast the evils of the industrialized city with the idyllic conditions one finds in small-town America. The film concentrates primarily on family life, and more specifically on the raising of children. It opens with a look back at pre-industrial America, moving quickly into the modern city. The chaotic industrial and commercial cities shown in the film subsequently give way to the idyillic "new city" of Greenbelt, Maryland. Constructed as a New Deal project, Greenbelt highlights the importance of recreation in the proper upbringing of children, as well as in the making of a stable family life. It was adapted by Lewis Mumford from the story by Pare Lorentz, and was directed by Ralph Steiner and Willard Van Dyke, with music by Aaron Copland.
The film has been selected for preservation in the United States National Film Registry.
The ABC soap opera The City aired from November 13, 1995 to March 28, 1997 for 352 episodes. It was a loose spin-off of Loving.
In the story, the (mostly young) survivors of the Corinth Serial Killer (the final story on Loving) all moved from the Pennsylvania town of Corinth to a spacious loft in New York's SoHo district. Several months later, Lorraine (Maggie Rush), who had dazzled critics and fans in the final months of Loving, joined the show. She had left her long-lost love Charles (Angie's ex-husband) and took up with fellow middle-aged alcoholic Nick Rivers (Roscoe Born). Rivers shared a past with Sydney Chase (Morgan Fairchild) and there were plans to team the two up (they had palpable chemistry a decade earlier in ABC's short-lived prime time soap Paper Dolls) but the plans never materialized.
The City was a Canadian television drama series, which aired on CTV from 1999 to 2000.
The show, a prime time soap opera set in Toronto, starred Torri Higginson as Katharine Strachan Berg, a Rosedale lawyer. Other cast members included John Ralston, Aidan Devine, Lorne Cardinal and Jody Racicot.
The series was created by Pierre Sarrazin and Suzette Couture.
The City is a crime drama film pilot created in 1977, starring Robert Forster, Ward Costello, Don Johnson and guest starring Jimmy Dean and the (then unknown) Mark Hamill for what was to be a television series that never came to be. In the film, "The City", it is about the day in the life of two detectives (Robert Forester as Lieutenant Matt Lewis, Ward Costello as Captain Lloyd Bryant, and later Don Johnson as Sergeant Brian Scott) in an ambiguous city solving (in this particular case) a crime where a man is killed for unknown reasons, coming to find an unstable young man (Mark Hamill as Eugene Banks) with a deep hatred against a famous country singer (Jimmy Dean as Wes Collins).
"The City" was directed by Harvey Hart and written by John Wilder.
Flesh and Blood is a contemporary upstairs downstairs that follows the parallel and intersecting lives of people in Toronto. Lives brought together by a murder where the ring of a gunshot echoes across the border between rich and poor. A mystery. A shared dream. Hope, survival, sex, betrayal - the usual. And the not so usual. The First World meets the Third World in the streets of Toronto, the city the country loves to hate. Written by person1
"The City" picks up where "Loving" left off. After a rash of serial killings, several of Corinth, Pennsylvania's residents move to an apartment building in SoHo. These people have come to start a brand new life. While doing so, they encounter several difficult situations, including another psychopath killer, bombings, and organized crime. Written by KR
Matt and Scott are two detectives trying to catch a crazy guy who has a beef with a country singer. Banks' problem with country singer, Wes Collins, is that Wes punched him in the face when he was a baby. Banks is now intent on getting revenge for this by killing Wes. Only Matt and Scott can stop him. Written by Josh Pasnak
Made by a group of people with, if not an axe to grind, a purpose in mind, which appears to be a plug for future suburbia and back to the idyllic towns of the past and the Big City would just be a place where people work but not live. Or something like that, as it is told in a schizophrenic method that primarily drones on about ...it started like this and it was good, and it becames this and it was bad, yada, yada, yada. Based on how America looks today...large metroplexes surrounded by super highways surrounded by look-alike suburbs with more super highways leading out to other metroplexes--- the goal was accomplished but the results aren't what was envisioned in 1939. The film was made possible by funding from the Carnegie Corporation of New York and has a definite leftward-slant which is no surprise based on some of the names connected with the original film. It was later adapted and edited into an entry of John Nesbitt's Passing Parade at MGM in 1944 (PCA No. 9620) called "The World of Tomorrow" with a new score by Nathaniel Shilkret, adaptation and narration by John Nesbitt and edited by Harry Komer. Written by Les Adams




