Robert Charles Benchley (September 15, 1889 – November 21, 1945) was an American humorist best known for his work as a newspaper columnist and film actor. From his beginnings at the Harvard Lampoon while attending Harvard University, through his many years writing essays and articles for Vanity Fair and The New Yorker, and his acclaimed short films, Benchley's style of humor brought him respect and success during his life, from New York City and his peers at the Algonquin Round Table to contemporaries in the burgeoning film industry.

Benchley is best remembered for his contributions to The New Yorker, where his unique essays, whether topical or absurdist, influenced many modern humorists. He also made a name for himself in Hollywood, when his short film How to Sleep was a popular success and won Best Short Subject at the 1935 Academy Awards, and his many memorable appearances in films such as Alfred Hitchcock's Foreign Correspondent and a dramatic turn in Nice Girl?. His legacy includes written work and numerous short film appearances.

Although by his own account Benchley was not quite a writer and not quite an actor, he managed to become one of the best-known humorists and comedians of his time. As a Harvard undergraduate, Benchley gave his first comic performance, impersonating a befuddled after-dinner speaker. The act made him a campus celebrity -- and remained in Benchley's repertoire for the rest of his life. (Landing the position of editor of the Harvard Lampoon was the other highlight of his college career.) As a post-graduate journalist, between frequent firings and other disruptions, Benchley made his mark as a theater critic and as writer of whimsical musings on the vagaries of modern life. He served briefly as managing editor of the magazine Vanity Fair, where his lieutenants were Dorothy Parker and Robert E. Sherwood (I), but he quit to protest Parker's firing. (Benchley, Parker and Sherwood were among the regulars at the so-called Algonquin Round Table, a social circle of New York wits that also included Harpo Marx and George S. Kaufman). Benchley was among the first contributors to The New Yorker, where his work influenced other writers -- such as E.B. White and James Thurber