The myths involving Jason also invoke Medea. These have been interpreted by specialists, principally in the past, as part of a class of myths that tell how the Hellenes of the distant heroic age, before the Trojan War, faced the challenges of the pre-Greek "Pelasgian" cultures of mainland Greece, and the Aegean and Anatolia. Jason, Perseus, Theseus, and above all Heracles, are all "liminal" figures, poised on the threshold between the old world of shamans, chthonic earth deities, archaic matriarchies, and the Great Goddess and the new Bronze Age Greek ways.

Medea figures in the myth of Jason and the Argonauts, a myth known best from a late literary version worked up by Apollonius of Rhodes in the 3rd century BCE and called the Argonautica. But for all its self-consciousness and researched archaic vocabulary, the late epic was based on very old, scattered materials. Medea is known in most stories as an enchantress and is often depicted as being a priestess of Hecate or a witch.

Medea is a film by Pier Paolo Pasolini based on the plot of Euripides' Medea. It stars the famous opera singer Maria Callas in her only film role; however, she does not sing in the movie.

To win the kingdom his uncle took from his father, Jason must steal the golden fleece from the land of barbarians, where Medea is royalty and a powerful sorceress, where human sacrifice helps crops to grow. Medea sees Jason and swoons, then enlists her brother's aid to take the fleece. She then murders her brother and becomes Jason's lover. Back in Greece, the king keeps the throne, the fleece has no power, and Medea lives an exile's life, respected but feared, abandoned by Jason. When she learns he's to marry the king's daughter, Medea tames her emotions and sends gifts via her sons; then, loss overwhelms her and she unleashes a fire storm on the king, the bride, and Jason. Written by

Famous tragedy by Euripides in ballet

The film was shot in three days.