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John Qualen (Wikipedia.org)

John Qualen (December 8, 1899 - September 12, 1987) was a Canadian film character actor.

Qualen was born Johan Mandt Kvalen in Vancouver, British Columbia, the son of immigrants from Norway; his father was a Lutheran minister and changed the family's original surname, "Kvalen", to "Qualen". Qualen grew up in Elgin, Illinois.

His acting career began when he was at Northwestern University which he attended on a scholarship from having won an oratory contest. Eventually making it to Broadway, he got his big break as the Swedish janitor in Elmer Rice's Street Scene. His movie career began when he recreated the role in the film version. This was followed by his appearance in John Ford's Arrowsmith which began a four-decade membership in the famed director's "stock company" including important supporting roles in The Searchers, Two Rode Together and The Man Who Shot Liberty Valance.

Appearing in well over one hundred films, and acting extensively on television into the 1970s, Qualen performed many of his roles with various accents, usually Scandinavian, often intended for comic effect. Three of his more memorable roles showcase his versatility. Qualen assumed a Midwestern dialect as Muley, who recounts the destruction of his farm by the bank in Ford's The Grapes of Wrath. As Berger, the jewelry-selling Norwegian Resistance member in Michael Curtiz' Casablanca, he essayed a light Scandinavian accent, but put on a thicker Mediterranean accent as the homeward-bound fisherman Locota in William Wellman's The High and the Mighty.

Qualen was treasurer of The Authors Club and historian of The Masquers, Hollywood's famed social group for actors.

John Qualen was blind in his later years. He died of heart failure in 1987 in Torrance, California and was interred in the Forest Lawn Memorial Park in Glendale. He was survived by his three daughters.

imdb.com
John Qualen (imdb.com)

One of the best and most familiar character actors of the first four decades of sound films, although few who knew his face also knew his name. John Qualen was born in Canada to Norwegian parents. His father was a minister. The family moved to the United States and Qualen (whose real name was Kvalen) grew up in Elgin, Illinois. He won an oratory contest and was given a scholarship to Northwestern University. His interest in acting was piqued there, and he began appearing in tent shows on the Lyceum-Chautauqua circuit, and in stock. He went to New York in 1929 and got his big break as the Swedish janitor in Elmer Rice's Street Scene. He repeated the role two years later in the film version. That same year he first worked for director John Ford (I) in Arrowsmith (1931). He became a member of Ford's famed "stock company, and had prominent roles for Ford for the next thirty-five years. He became a most familiar character player, specializing in Scandinavians of various nationalities, but frequently playing a wide variety of other ethnicities. Perhaps his greatest work among many memorable roles was as the pitiful Muley, who recounts the destruction of his farm by the bank in Ford's masterpiece, Grapes of Wrath, The (1940). Although plagued in his later years by failing eyesight, he continued to work steadily into his final years. He was treasurer of The Authors Club and historian of The Masquers, Hollywood's famed social group for actors. He had three children, Elizabeth, Kathleen, and Meredith. Qualen died in 1987.

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John (Tom Keene) rouses the workers and Chris (John Qualen) breaks the earth as the collective farming begins in King Vidor's Depression drama Our Daily Bread , 1934.
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Turner Classic Movies
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John (Tom Keene) begins work, Mary (Karen Morley) watching, and John Qualen (as "Chris") arrives with farming know-how and an early sample of his famous "Sveedish" accent, in King Vidor's Our Daily ...
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Tom Keene, Karen Morley, Barbara Pepper, and John Qualen (1934) Drama B&W USA Director: King Vidor An American classic of, and about, the depression. Directed, financed, and co-authored by a master, ...
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John Qualen (1899-1987) is a very special kind of character actor: He often does not seem to play a person but a whole people, or at least the honest and downtrodden part of one. He has a fine voice ...
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