Georg Wilhelm Pabst (August 25, 1885 - May 29, 1967) was an Austrian film director. Pabst was born in Raudnitz, Bohemia, Austria-Hungary (today's Roudnice nad Labem, Czech Republic), the son of a railroad employee.

Returning from the United States, he was in France when World War I began. He was interned there near Brest until 1919.

Some of his most famous films concern the plight of women in German society, including The Joyless Street (1925) with Greta Garbo and Asta Nielsen, Geheimnisse einer Seele (1926) with Lili Damita, The Loves of Jeanne Ney (1927) with Brigitte Helm, Pandora's Box (1928), and Diary of a Lost Girl (1929), the last two starring American actress Louise Brooks. He also co-directed with Arnold Fanck a mountain film entitled The White Hell of Pitz Palu (1929) starring Leni Riefenstahl.

After the coming of sound he made a trilogy of films that secured his reputation Westfront 1918 (1930), The Threepenny Opera (1931) (based on the Bertolt Brecht and Kurt Weill musical), and Kameradschaft (1931). Pabst also filmed three versions of Pierre Benoit's novel L'Atlantide in 1932, in German, English, and French, titled Die Herrin von Atlantis, The Mistress of Atlantis, and L'Atlantide, respectively. In 1933, Pabst directed Don Quixote in three versions, once again, German, English, and French.

After making A Modern Hero (1934) in the U.S. and Mademoiselle Docteur (1936) in France, Pabst returned to Austria and Germany in 1938, he later claimed, to take care of family business. He made two films during the Nazi period, Komödianten (1941) and Paracelsus (1943).

In 1953, Pabst directed four opera productions in Italy: La forza del destino for the Maggio Musicale Fiorentino in Florence (conducted by Dimitri Mitropoulos, the cast included Renata Tebaldi, Fedora Barbieri, Mario del Monaco, Aldo Protti, Cesare Siepi), and a few weeks later, for the Arena di Verona Festival, a spectacular Aïda, with Maria Callas in the title role (conducted by Tullio Serafin, with del Monaco), Il trovatore and again La forza del destino.

Pabst died in Vienna, Austria and was interred at the Zentralfriedhof in Vienna.

Georg Wilhelm Pabst is considered by many to be the greatest director of German cinema, in his era. He was especially appreciated by actors and actresses for the humane way in which he treated them. This was in contrast to some of his contemporaries, such as Arnold Fanck, who have been characterized as martinets.