Franz Antel (June 28, 1913 - August 11, 2007) was a veteran Austrian filmmaker.
Born in Vienna, Antel worked mainly as a film producer in the interwar years. After World War II, he began writing and directing films on a large scale. In the late 1940s, 1950s and 1960s these were mainly comedies (romantic, slapstick, and/or musical) and setlanguage.action?LANGUAGE=en" target="_blank">K.u.k. films all of which, for Austrian and German TV stations alike, have been a staple of weekend afternoon programming ever since. In between there is quite a sober film about the Oberst (Colonel) Redl affair that shook the Austro-Hungarian Monarchy on the eve of _World War I.
From the late 1960s, encouraged by the new opportunities in the film industry brought about by the sexual revolution, Antel gradually switched his main interest to soft porn and ribaldry. It was in particular his series of Wirtin ("hostess") films, directed under the pseudonym François Legrand, with which he tried to win international recognition. Titles included The Sweet Sins of Sexy Susan (1967), Sexy Susan Sins Again (1969), Wild, Willing & Sexy (1969) and Don't Tell Daddy (aka Naughty Nymphs in the U.S.A.) (1972).
Among the actors Antel worked with were Hans Moser, Paul Hörbiger, Oskar Werner, Curd Jürgens, Tony Curtis, Herbert Fux, Arthur Kennedy, Carroll Baker, Edwige Fenech, George Hilton, Marisa Berenson, Britt Ekland, Andréa Ferréol.
1981 was a turning point in Antel's career when he adapted for the big screen a stage play by Ulrich Becher and Peter Preses. Set from the days of the Anschluss of 1938 until after the end of the war, Der Bockerer is about a Viennese butcher named Karl Bockerer (Karl Merkatz) whose common sense rather than intellect tells him to oppose the Nazis and who dares to show resistance just because he is never fully aware of the possible fateful consequences of his actions. While Bockerer and his wife survive the war unscathed, their son joins the SS but, after some internal intrigue, is sent to the front and killed.
Der Bockerer IV The film's strong anti-fascist message, the moving dialogue, and performances by the crème de la crème of Austrian actors and actresses (Ida Krottendorf, Alfred Böhm, Heinz Marecek, Hans Holt, Dolores Schmidinger and many more) made Der Bockerer an unusually successful film and gave new impetus to Antel's career. He made three sequels, which follow the lives of the Bockerers well into the 1960s, each depicting a crucial historical event in Austria or one of its neighbouring countries:
Antel would recount an anecdote about himself describing how, in order to live up to his reputation as a womanizer, he used to carry a pair of high heels in his luggage which he then would occasionally place in the corridor in front of his hotel room – especially when he was travelling alone.
In diesem beeindruckenden Film werden die schrecklichen Jahre des 2. Weltkriegs aus der Sicht des Fleischhauers Bockerer, der das Nazi-Regime kategorisch ablehnt und das durch seine natuerliche Art mehr als deutlich zum Ausdruck bringt, lebensnah aufgezeigt. Written by
Although he was engaged to Maria Andergast, they finally didn't marry (1949).
His father was a civil servant.
Married his fourth and last wife Sibylla, former secretary of actor Curd Jürgens, twice.
Was elected President of his favorite soccer club Vienna Wien (1964).
Hold German citizenship between 1937 and 1960.
Used to carry high heels in his luggage which he occasionally placed in front of his hotel room, in order to live up his image as a womanizer.
In the early 1930s, he studied at the Academy of Film in Vienna.
During the sexual revolution in the late 1960s, he switched his interest to soft porn and directed some movies under the pseudonym "François Legrand".
