Deanna Durbin (born December 4, 1921) is a Canadian singer and Academy Award-winning actress from Hollywood films of the 1930s and 1940s.

The girl who one day would be known as "Winnipeg's Sweetheart" was born at Grace Hospital on December 4, 1921, as Edna Mae Durbin. In her early childhood there were no obvious signs that one day she would be a bigger box office attraction than Shirley Temple. Renamed Deanna Durbin for show business purposes, by age 14 she was the most highly paid female star in the world. Her major motion pictures were Three Smart Girls (1936), Mad About Music (1938) and That Certain Age (1938). By the time she was 18 her income was $250,000 a year. Her voice was often described as "natural and beautiful" and her version of "One Fine Day" from Madame Butterfly, with Leopold Stokowski conducting the orchestra, became a classic. Deanna was a Hollywood star in every way. There were Deanna Durbin dolls and dresses. An engineering firm named its so-called dream home in her honor. Her first screen kiss was described in a headline story across the continent. What makes Deanna Durbin's story different is that she was never comfortable with adulation. When she was at the top of her career as Hollywood's leading actress and singer, she turned her back on that world for a life of seclusion. Her first two marriages had failed, and before she married her third husband, director Charles David (II), she set one condition: he had to promise that she could have what she yearned for - "the life of nobody". Her seclusion is incomplete. She lives in the French village of Neauphlé-le-Château, and for over 35 years has resisted every approach from film companies. Her husband has told journalists that "Mario Lanza pleaded with her for years to make a film with him. But she will never go back to that life." She has not been interviewed since 1949.

Deanna Durbin was born Edna Mae Durbin on December 4, 1921, in Winnipeg, Manitoba, Canada. Her British-born parents moved to California while she was still young, and her singing voice soon had talent scouts knocking at her door. She signed a contract with MGM in 1936, at the age of 14, which resulted in her appearance in Every Sunday (1936), a short that also starred Judy Garland (I). Deanna was dropped by MGM but was immediately picked up by Universal Pictures, which cast her in the role of Penny Craig in Three Smart Girls (1936). While preparing for the role she was coached intensely by director Henry Koster; it's doubtful she would have been the star she was had it not been for Koster. The profits from this film and its follow-up, One Hundred Men and a Girl (1937), rescued Universal from bankruptcy. The studio quickly capitalized on these hits, casting Deanna in two successive and highly acclaimed films, That Certain Age (1938) and Mad About Music (1938). With these films Deanna became Hollywood's darling. She reprised her role of Penny Craig in Three Smart Girls Grow Up (1939). Deanna was such a hit that she shared the Academy Award's 1939 Juvenile Award with Mickey Rooney (I) "for their significant contribution in bringing to the screen the spirit and personification of youth, and as juvenile players, setting high standards of ability and achievement". Deanna's singing and acting ability had the world talking. There was no doubt she was the most popular performer of her day. She was, however, by nature a very private individual, never comfortable with the glitz, glamor and publicity that came with stardom. Despite her uneasiness, she continued to churn out hits and kept the public enthralled. In 1943 she played Penny Craig again, for the third time, in Hers to Hold (1943). Deanna's final film was For the Love of Mary (1948), whereupon, at the age of 27, she simply walked away. For a star of her stature, that took a tremendous amount of courage. All she wanted was to be anonymous. Today Deanna lives in France, just outside Paris, with her third husband, French director Charles David (I), whom she wed in 1950. She has had numerous offers to return to the screen and has turned them all down. She has not even been interviewed since 1949. Such is her appeal, however, even after all these years, that she still gets fan mail and requests for autographs. Henry Koster did, indeed, create a legend!