Chicago is a 1927 silent film produced by Cecil B. DeMille and directed by Frank Urson. It was drawn from a play by Maurine Dallas Watkins which was in turn based on the true story of Beulah Annan, fictionalized as "Roxie Hart" (played by Phyllis Haver), her fellow death-row inmate Belva Gaertner, and their spectacular involvement in the murder of their boyfriends. It co-starred Victor Varconi.

The Watkins play was again filmed in 1942 as Roxie Hart, starring Ginger Rogers (in the title role), and Adolphe Menjou as Billy Flynn. Notable minor players were Nigel Bruce and Phil Silvers: the movie was directed by William A. Wellman. The plot for this second version, however, was altered because of censorship.

Chicago is a 2002 musical film released by Miramax Films. First released in limited cities on June 27, 2002, Chicago opened in wide release on January 24, 2003. An adaptation of the satirical stage musical Chicago, the film explores the themes of celebrity and scandal in Jazz age Chicago. Directed and choreographed by Rob Marshall, and adapted for film by screenwriter Bill Condon, Chicago won six Academy Awards in 2003, including Best Picture. The film was the first musical film to win the Best Picture Oscar since Oliver! (1968).

Chicago centers around Velma Kelly and Roxie Hart, two murderesses who find themselves on death row together in 1920s Chicago. Velma, a professional vaudevillian, and Roxie, a housewife with aspirations of being a star, fight for the fame that will keep them from the gallows. The film stars Catherine Zeta-Jones, Renée Zellweger, and Richard Gere, also featuring Queen Latifah, John C. Reilly, Lucy Liu, Taye Diggs, Colm Feore, and Mýa.

Based on a true crime story, the movie is about a wild jazz-loving and boozing wife Roxie Hart who kills her boyfriend in cold blood after he leaves her, and how she finagles her way out being convicted. Remade once as a movie, and as a Broadway musical. Written by Jonah Falcon

Murderesses Velma Kelly (a chanteuse and tease who killed her husband and sister after finding them in bed together)and Roxie Hart (who killed her boyfriend when she discovered he wasn't going to make her a star) find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago. Written by Debpp322

Fame hungry Roxie Hart dreams of a life on the Vaudville stage, and spends her nights jazzing it up in the bright lights of Chicago, continually hoping that she'll find her lucky break, and be shot into 1920's stardom, so able to flee her boring husband Amos. In awe of seductive club singer Velma Kelly (who is subsequantly arrested for the murder of her husband and sister - after discovering their affair), Roxie meets Fred Cassely a man who convinces her he can 'make her showbiz career take off'. However after Roxie has undergone the 'casting couch' treatment, and Fred has had his wicked way with her, he reveals that he has no more connections in showbusiness than she does. This is the final straw for Roxie, and her constant anger at rejection explodes. She shoots Fred Cassely and kills him. Upon discovering her infidelity, Roxie's husband Amos refuses to take the blame for the murder and Roxie is sent to jail, pending hanging. In jail she finally meets tabloid darling Velma Kelly, currently receiving huge media attention for the double murder she committed earlier in the tale. Sharing the clink with Velma, are a collection of other sly females, all awaiting trial for the murders of their own partners. Velma is aloof to Roxie, however the prison Warden Mrs Morton offers Roxie the opportunity of representation by slick Chicago lawyer Billy Flynn. Billy is more a showbiz P. R agent than a legal lawyer and minipulates the tabloids into thinking Roxie is no more than an innocent 'good time girl' who took the wrong path, than a scheming murderess. The tabloids go crazy for the new girl on the cell block, and Roxie finally becomes a star. However due to Roxie's new found fame, Velma is forgotten about. She is forced to approach Roxie with an offer of a part in her Vaudville act (filling the gap left by her murdered sister), but Roxie turns down her offer flat, thinking she needs no support in topping the bill. However, just as Velma's star fell, so does Roxie's, when Go-to-hell Kitty arrives at the jail on a multiple murder charge, the press forget Roxie and now she and Velma are in the same boat. With one more trick up her sleave Roxie manages to bring the media attention back onto her, and her day in court arrives. Billy is now ready to play the ultimate showman! Written by Anonymous

Velma Kelly (Catherine Zeta-Jones) is the sexy vaudeville star who murders her husband and sister after finding them in bed together. Roxie (Renee Zellweger)is the wannabe vaudeville star who kills her lover after finding out he was never going to make her famous. Enter Billy Flynn (Richard Gere), the greasy lawyer whose goal is not only to have his clients acquitted, but to make them legal legends. Billy, who apparently likes Roxie's angle (He tried to kill me) better than Velma's (I blacked out and can't remember a thing). With help from Matron Mama Morton (Queen Latifah) both women vy for the spot as Illinois's most famed murderess, but there's only room for one legend... "That's Chicago". Written by tigerchick5655

Roxie Hart is a married chorus girl with hopes of being a headliner in Vaudeville. Velma Kelly is a former headliner. What do these two have in common? They both are murderesses. Roxie killed her lover when he walked out on her, and Velma killed her husband and sister, who were having an affair. Chicago's newspapers love the nitty-gritty and Velma is at the top of the headlines. But then Roxie comes along and Velma is old news. They find themselves competing for not only the press' attention, but also the focus of their shared lawyer, the suave Billy Flynn. Add to the mix a sob sister, Roxie's hapless husband Amos, and a warm prison matron who watches out for her girls (if there's something in it for her), and you have Chicago. Written by Ted Zoldan