Artist DAVID MILKEN is struggling to find beauty in the most unexpected of places; capturing portraits of average Americans at their most exhausted, their most frustrated, their most honest: David takes the I.D. photos at the Department of Motor Vehicles, and he takes his job very, very seriously. Against the odds of the vast government bureaucracy and the long lines of impatient drivers-to-be, David tries to make each snapshot a masterpiece. Today he has to take perhaps the most important picture of his career, that of his boss, BRIANCA VINCENT, and it isn't going to be pretty. Or is it? Written by Anonymous

David Milken is more than a photographer. He is an artist. He paints with the acrylic lens of his camera, striving for perfection in each shot, struggling to create masterpieces out of the faces he portrays in his work. Each day, he must overcome the challenge of exploiting what little light his studio offers and using it to his advantage. His dream is to have a window installed behind his station, so he can channel the sunlight and enlighten every picture. But the higher-ups won't allow. Oh no, bureaucracy wins again. David is the man responsible for taking photos at the DMV, tired of those dreaded pictures that usually appear on licenses, he seeks to transcend the bland photograph and transform every license into a work of art. But his boss stands in his way. She doesn't want art. She wants him to take pictures as fast as possible, one every seventy five seconds. But when his boss has to renew her license, he is assigned to take her picture and, he knows, nothing good can come of it. The style recreates the overexposed, fluorescent lighting of a DMV. Written by Daulton Dickey