Around the World in Eighty Days is a 1956 adventure film made by the Michael Todd Company and released by United Artists. It was directed by Michael Anderson and John Farrow (uncredited) and produced by Michael Todd with Kevin McClory and William Cameron Menzies as associate producers. The screenplay was by James Poe, John Farrow and S. J. Perelman based on the classic novel of the same name by Jules Verne. The music score was by Victor Young and the cinematography by Lionel Lindon.

When Phileas Fogg is challenged to prove his contention that a man can go around the world in 80 days, he bets his entire fortune and leaves with a new butler on a world tour. This Victorian adventure has a kicker, the bank of England has been robbed. Is this Fogg's way of avoiding arrest? The detective following him believes so, and his butler is becoming unsure. Written by John Vogel

English nobleman Phileas Fogg, a very strict and emotionless man, gets wound up in a bet at his gentlemen's club: He has to prove that it is possible to travel around the whole world in only 80 days. Together with his new butler Passepartout, who expected a different first day at work, he takes off instantly to Paris, where they miss the train to Marseilles. But a travel agent called Thomas Cook offers them his captive balloon, which carries them to Spain instead. Passepartout's skills are necessary in a bullfight in order to get them a ship that should take them back onto their planned route. An ominous Mr. Fix starts crossing their path more and more often, he somehow seems to try to hinder their forthcoming. In the deep jungles of India, the butler's skills are again needed in a case of rescuing beautiful Princess Aouda, who is to be burnt alive at the side of her dead husband. In Hongkong, Passepartout meets drugs in a involuntarily manner and in the United States, the wild, wild west takes its toll. All the time, Mr. Fogg has his usual timetable and meal schedule running at normal pace, so that all the waves have to be broken by Passepartout. And he won't get paid much, because he left the gas running, back in London. When the journey comes to a dramatic returning to England, Mr. Fogg has to cope with the facts that he seems to have lost the bet by some hours, but gained something he never seemed to have: emotion. Written by Julian Reischl